"One tinny tune with catchpenny hooks..."

Mark Steyn at The National Review dissects Obama's speechwriting, compares his rhetoric with his policies, and explains the precipitous fall in the president's popularity. Even if you disagree with Steyn, you can savor his inventive prose.

By contrast, the point of Barack Obama is to dazzle. That’s why he got all the magazine covers of him emerging topless from the Hawaiian surf as if his beautifully sculpted pectorals were long-vanished Pacific atolls restored to sunlight after he’d fulfilled his pledge to lower the oceans before the end of his first term.  The squealing Obammyboppers of the media seem to have gotten more muted since those inaugural specials hit the newsstands back in late January. His numbers have fallen further faster than those of any other president — because of where he fell from: As Evan Thomas of Newsweek drooled a mere six months ago, Obama was “standing above the country . . . above the world. He’s sort of God.” That’s a long drop.

The Obama speechwriting team don’t seem to realize that. They seem to be the last guys on the planet in love with the sound of his voice and their one interminable tinny tune with its catchpenny hooks. The usual trick is to position their man as the uniquely insightful leader pitching his tent between two extremes no sane person has ever believed: “There are those who say there is no evil in the world. There are others who argue that pink fluffy bunnies are the spawn of Satan and conspiring to overthrow civilization.  Let me be clear: I believe people of goodwill on all sides can find common ground between the absurdly implausible caricatures I attribute to them on a daily basis. We must begin by finding the courage to acknowledge the hard truth that I am living testimony to the power of nuance to triumph over hard truth and come to the end of the sentence on a note of sonorous, polysyllabic, if somewhat hollow, uplift. Pause for applause.”